Fujifilm Xc 15-45mm F/35-56 Ois Pz Lens Review

It'southward been iv years. The original Fujifilm X-Pro i was announced on Jan ninth 2012, being the first and merely Fujifilm X series interchangeable lens camera having a hybrid electronic and optical viewfinder (until now). When would Fujifilm upgrade this unique top-of-the-line mirrorless camera? Although the X100 has been updated twice since its original release (announced  Sept 19th, 2010), Fujifilm seemed hesitant to update its flagship ILC photographic camera.When the X-T1 was announced on January 27th 2014, so the release of the X-E2, X-T10, and the X30 was missing it'south unique OVF, information technology appeared Fujifilm was moving abroad from the optical viewfinder camera (except for the X100 series). In that location was rumour that Fujifilm was struggling with the next leap in sensor technology (this was only partially true), but the real question was this: Will the new Ten-Pro 2 all the same have a hybrid viewfinder? I am pleased to announce that the brand new Fujfilm X-Pro ii not only has retained the unique OVF/EVF engineering science, but it is all new and superior to any viewfinder on any currently available Fujifilm Ten series camera to date. Let us look at the all new Fujfilm X-Pro ii and run across if it is worthy of being the flagship mirrorless photographic camera for the Fujifilm X Series system.

When the XF 35mm f/two WR was announced back in Oct, many manufacture insiders had first hand knowledge that this was 'the lens' to utilise with the upcoming flagship camera. Information technology was the classic 50mm equivalent, it was weather-sealed, and it had an optional lens hood that was uniquely designed for and reminiscent of an optical rangefinder way camera. This lens was not meant for the X-T1, simply for the upcoming tiptop-of-the-line 10-Pro ii. Matching the new XF lens with the all new 24.3 megapixel APS-C 10-Trans CMOS III sensor and the new Ten Processor Pro paradigm processor was a pleasure. The spring from 16mp to 24mp (50% more pixels but no proceeds in image noise) is definitely a huge jump in epitome quality and resolution. The new XF 35mm lens could easily handle the extra resolution in terms of both dynamic range and prototype sharpness. Although the sensor and processor is all new, the overall feel of the image is exactly the same. Because the X-Pro 2 was pre-product, RAW file processing could only be washed in-photographic camera, but you can get a good thought what the RAW files volition look similar after properly processing them in Lightroom or Photoshop. I have compared (pixel peeped) the images from the new X-Pro two against the new Leica SL and the M240, and I can tell you that the JPEGs on the X-PRo 2 are really cleaner with less noise. However, my final conclusion on paradigm quality tin not be confirmed until I receive my production model, but then far, the JPEGs are the best I've seen on any camera from any brand that I have tested.

There has been a huge leap in terms of ergonomics and part every bit well. The new joystick controller was a peachy addition, every bit well as moving all buttons to the correct of the LCD screen. There is no articulating screen, simply the screen is i.62 million dots of resolution, making information technology easy to zoom in on jpegs to see noise and sharpness. The AF system has been revamped, the shutter has been updated (now with 1/250th sec flash sync), and there are multiple ways to customize the buttons and operating arrangement. The carte organisation has also been updated, with the new MY MENU department, which will work in add-on to the Q menu. Fifty-fifty minor things similar centering the tripod thread on the lesser while withal being able to access the bombardment compartment, and having two solid doors on the sides (the X-T1 doors are horrible) shows the details put into this new flagship camera. Speaking of doors, the new retentiveness card slot on the right is now dual slot, which allows the user to choose iii dissimilar ways to relieve images (sequential, backup, RAW/JPEG). Did I mention that the trunk is also atmospheric condition resistant? I was surprised since the back button, joystick, dial and shutter feel had me conclude that this torso was not. The tactile feel of all the controls and buttons on the X-Pro 2 is the improve than whatsoever Ten serial camera, and yet it is fully weather resistant and has a rugged bang-around feel to it. Merely amazing.

OVF Framelines when mounted with XF35mm F/two WR lens

OVF framelines when mounted with XF14mm f/ii.viii lens

The two nearly exciting features on the new X-Pro ii for me is the new hybrid viewfinder and the ISO dial. The viewfinder must be experienced and not explained so I volition non become into too much detail. Just imagine the X100T's viewfinder just much, much better. Faster refresh, easier focus peaking, bang-up low-light performance, no ghosting. Another cool feature is the improver of the 'Bright Frame Simulator'. Those who shoot Leica or any rangefinder will appreciate the power to see the cropped frame lines of different focal lengths while in optical viewfinder mode. It is conveniently accessible from the front OVF/EVF selector switch as a peak button. With the XF 35mm lens mounted, you can see the 35/56/60/90 frame lines. I also mounted the XF 14mm lens, which gave me 18/23/27/32. I wonder what happens when you mount a zoom or a telephoto lens? I don't want to know…

When does an ISO dial become a feature? It is on the new Ten-Pro 2. This dual function dial is very retro and withal it is the most functional ISO dial of whatever digital camera on the market. Instead of creating a separate punch on a crowded top panel, Fujifilm merged the ISO punch into the shutter speed punch. Why didn't anyone else remember of this? Film cameras have been doing this for 50 years!! It is very retro and yet 1 of the most functional solutions of including an extra dial without wasting infinite. Compared to the X-T1'southward dial, this is more than functional for me since it is on the right side of the camera, making information technology more visible and easily accessible when needed.

Shooting with the Ten-Pro ii was a pleasance. It felt like shooting with the ability and speed of the Ten-T1, the treatment of the Ten-Pro 1, and the emotional connection and feel of the X100T. The photographic camera never gets in the way of taking a great image. It is light plenty to bear around all day. Comparing the size and weight of the X-Pro 2 and the XF35mm WR lens versus the X100T and the TCL-X100 teleconverter lens, the 10-Pro is barely heavier, only is more than compact and balanced. The image quality deviation between the two significant, and then is the shooting speed and the viewfinder experience. In fact, if y'all are currently shooting the X100T and the TCL-X100, I recommend trying the X-PRo ii with the XF35m WR. This is the best combination for that archetype street photography set-up with a modern twist: A hybrid optical/electronic viewfinder, a compact and super sharp 50mm equivalent lens, weather-sealed body and lens, and an astonishing sensor. The film simulations are also a nod to the old movie days, as yous tin can shoot with classic Fujifilm and Kodak (Archetype Chrome is very similar to Kodachrome) films digitally. Fujfilm included the ACROS film simulation (monochrome film), and you tin add pic grain as an actual feature (I have non tested this all the same).

Since my copy of the X-Pro 2 was pre-production, I can not post too many images at loftier resolution or zoomed in. Every bit previously mentioned, RAW back up is non yet available so the full potential of the new sensor and processor can not be analyzed properly. However, just by looking at the JPEGS, as well as in-camera RAW to JPEG conversion, the new X-Pro 2 has proven itself worthy of not merely being the flagship Fujifilm X series camera, just a very powerful contender against other major mirrorless cameras. The Fujifilm ecosystem is fully matured with groovy lenses, bodies and accessories (more flashes delight!). If you are currently hesitating to make the switch to Fujifilm from your big and heavy DSLR, this is the camera that should convince you lot to switch over. If you lot are currently an X series photographer with the Ten-T1 as your main camera and the X-T10 equally your back-up, it'southward time to upgrade. The 10-PRo 2 will become your primary camera, and the X-T1 will at present become your back-up. I rarely encourage people to upgrade equipment because people are often chasing specs and speed, which to me is rarely worth it. All the same, this is a serious evolution in sensor and processor technology, equally well as ergonomics and office. The new X-Pro two will modify the way yous accept pictures, that'southward a promise.

And here comes Take Kayo's Fujifilm X-Pro2 video:

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Source: https://fujilove.com/pre-production-review-fujifilm-x-pro-2/

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